Overview

This magazine was produced by a mutual improvement class based at Eastville Free Methodist Church, which was located on Fishponds Road in Eastville (northeast of Bristol). (For a brief history of this church see ‘Eastville Methodist Church (now Pentecostal City Mission), Eastville, Fishponds‘ on the Places of Worship Database website.) The lists of members at the front of the extant 1893 and 1894 issues have 26 and 24 names respectively. It was a mixed-gender class with perhaps a fairly equal number of men and women (there are several names on these lists where only the surname is given). No addresses are given after these names, but these can be found by consulting the entries for the parents in the church register, also available in the archives. The group members were pro-temperance, and two pieces by different authors in their magazine mention attending a Band of Hope meeting. (For more information about the Band of Hope, see the article, ‘Band of Hope‘ on the Spartacus Educational website.)

There are only two extant issues of the manuscript magazine that this class produced. These are roughly A5 in size, with a brown paper cover and are hand-stitched. It is unclear if there was a set production date for each issue (e.g. monthly, bi-monthly, etc.), but it might have been tied to the semester schedule. The format of the contributions vary: some are written solely on one side of the paper, whilst others are on both front and back, which is a bit usual for these magazines. All the contributions — the majority of which are essays on a variety of topics — are in the authors’ own handwriting. With few exceptions, all of the contributors and reviewers use their own initials. There is no original poetry and no illustrations or artwork in either issue. Readers were allowed one week to view the magazine.

The issues are compact not only in size but in the number of contributions: there are 68 pages (unpaginated) in total in the 1893 issue with 7 contributions followed by four readers’ responses over 10 pages in the ‘Notes and Comments’ section, and 30 pages with 5 contributions in the 1894 issue. Interestingly, whilst there are also a number of blank pages left for readers to provide their responses in the ‘Notes and Comments’ section in the later issue, none of the readers chose to use this space.

Name of Club, Society or Group That Produced the Magazine

Eastville Free Methodist Mutual Improvement Class

Date of Existence

1894?-1895?

Date of Magazine

No. 1, October 1893 and No. 5, October 1894

Number of Issues

2 (extant)

Manuscript/Published Magazine

Manuscript

Contents and Contributions

Annotations; Articles (non-fiction); Circulation Lists; Editorials; Essays; Extracts of published works; Letters to Editor; Magazine Rules; Poems (republished material); Readers’ Criticisms; Serial articles/stories; Tables of Contents;  Title pages

Repository

Bristol Archives & Record Office

Reference

40836/EP/95-96

Overview

There are nine extant issues of the manuscript magazine that was produced by this mutual improvement society. The title was taken from the poem, ‘Excelsior’, written in 1841 by the American poet, Henry Wadsworth Longfellow, and the poem’s message of struggling towards a righteous, distant goal was used as the group’s own precept. We do not know very much about the group itself as there are no other (known) records. Most likely, the society was associated with a local church in Liverpool as many of the contributions discuss religion and/or the Bible (e.g. a serial essay entitled, ‘Praising God, No. 2′), and it was firmly pro-temperance.

We do know that it was a fairly small society: there are 17 members listed in an (undated) magazine circulation list. It was a mixed-gender group, with 13 men and four unmarried women. The members lived in and around the Toxteth area of the city. (For more information about this area, see ‘History of Toxteth‘ on the Historic Liverpool website.) One of the women, however, lived in London.

Each issue of The Excelsior is approximately 100 pages with roughly 20 contributions apiece, and contain a mixture of prose and poetry, articles and essays, a couple of short musical scores, with a small number of original illustrations (mostly pen-and-ink, to which should be added the detailed artwork on the covers on Nos. 7, 8 and 10).

There are a couple of unique elements to this magazine. First, the contributors seemed to particularly like writing serials, both non-fiction and fictional pieces, with pieces commonly running through most of the issues. Second, the members appear to have taken the ‘improving’ element to heart, as beginning in the sixth issue, a ‘List of Errors in Spelling’ is added to the back, which ran up to five pages in issue No. 10. Finally, whilst not including a separate section for readers’ ‘criticisms’ per se, the Editor none-the-less allowed readers to write in to him with their remarks and he would include them in the next issue, a practice that readers took to with particular enthusiasm, or rather with vehemence; many of these are long letters outlining in detail the particular merits — and by no means neglecting the demerits — of the contributions.

Name of Club, Society or Group That Produced the Magazine

(currently unknown)

Date of Existence

1860?-1862?

Date of Magazine

No. 1, 1 October 1860; No. 2, 1 November 1860;  No. 3, [no date given], December 1860; [No. 4], January and February 1861; No. 5, March & April 1861; No. 6, 1 December 1861; No. 7, January 1862; No. 8, February 1862; [No. 9 no longer extant?]; No. 10, April 1862

Number of Issues

9

Manuscript/Published Magazine

Manuscript

Contents and Contributions

Annotations; Art/Illustrations (original); Article s(non-fiction); Circulation List; Correspondence column; Editorials; Essays; Extracts (previously published works); Fiction/Narratives; Hymn; Letters to Editor; Lists of spelling errors; Music; Newspaper cutting; Poems (original); Poems (republished material); Poems (w/ original illustrations); Prefaces; Puzzle; Readers’ Criticisms; Serial articles/stories; Tables of Contents; Title pages

Repository

Liverpool Record Office, Central Library

Reference

H050 EXC

Overview

A summary of the history of the Barony Mutual Improvement Society is available on our sister website, Glasgow’s Literary Bonds (see ‘Additional Notes’ below).

The society was formed in 1863 by young men from the congregation of the Barony Church (Church of Scotland), which was built in 1799 and located near the Glasgow Cathedral. The group later changed its name to the Barony Young Men’s Association.

This society produced manuscript magazines by and for their members between 1863 and 1875. There are six volumes housed in the University of Strathclyde Archives (GB 249 T-MIN/18/1/1-6): July 1863; August 1863; September 1863; August 1864; March 1869; and 1873-1875. The earliest magazine that we have, the July 1863 volume, is actually the third that they issued.

The August 1863 issue of the Barony M.S. Magazine is fairly typical of mutual improvement society magazines, which are almost always miscellanies, containing a mixture of prose and poetry, fiction and non-fiction pieces on various topics, along with original artwork and even music. A unique feature of this genre is the readers’ ‘Criticisms’: readers would write their comments about the articles into the back of the magazine after they were done reading it. This society was unusual, however, in that they had a very active critical community of readers. The August 1863 issue, for example (a digitised copy of which is available, see below), contains a remarkable 25 pages of criticisms.

Their August 1863 issue has been digitised courtesy of the University of Strathclyde Archives and is available on our sister website, Glasgow’s Literary Bonds.

Name of Club, Society or Group That Produced the Magazine

Barony Mutual Improvement Society (later became the Barony Young Men’s Association) (Glasgow)

Date of Existence

1863-1875?

Date of Magazine

1863-1875

Number of Issues

6

Manuscript/Published Magazine

Manuscript

Contents and Contributions

Advertisements; Art/Illustrations (original); Articles (non-fiction); Club notices; Editorials; Essays; Fiction/Narratives; Poems (original); Readers’ Criticisms; Serial articles/stories; Tables of Contents; Title pages

Repository

University of Strathclyde Archives

Reference

GB 249 T-MIN/18/1

Additional Notes

See also entry for Barony Mutual Improvement Society on our sister website, Glasgow’s Literary Bonds.

This is not the same as the Barony Free Church Literary Society. For more information about this society, see entry for Barony Free Church Literary Society on Glasgow’s Literary Bonds website.

From the University of Strathclyde Archives online catalogue:

‘Scope and content
Manuscript magazines issued under the auspices of the Barony Mutual Improvement Society, later the Barony Young Men’s Association. Subjects include religion, local history, natural history, travel, natural philosophy, mechanics. The editors were Thomas Martin, Archibald Campbell, John Goldie, Edward Railton Catterns, George Smeaton Rodger, W. Ferrie Anderson and James Meek. The contributions were bound on the premises of Robert Nelson, Princes Court, Buchanan Street. All volumes carry the bookplate of the Barony Association’s Library’ [accessed 21 January 2018].

Overview

The mutual improvement society that produced this monthly magazine was made up of members of the Salem Methodist Church in Baptist Mills (an area in the northeast of Bristol). The church was founded in 1853 and located on Lower Ashley Road. (For a brief history of this church, see ‘Salem Chapel (Demolished), Baptist Mills, Bristol‘ on the Places of Worship Database website.)

We don’t know when the class was officially started as no other records from the group between 1886 and 1898 appear to have survived (see below). Happily, this lacuna can be filled from various articles in its magazine. In the mid-1880s, the President of the class was the then current minister, Reverend S. Heywood, and the group had two secretaries and an Executive Committee. The subscription charge was 2s per year. It was a mixed-gender class that met weekly, and like other groups of this type, its yearly sessions (October until March or April) included a range of activities, including the reading of original essays by society members followed by ‘criticisms’, hearing papers read by invited speakers, debates, extempore speaking, and social evenings and outings. The attendance records given in the October 1886 issue suggest that there may have been around 60 to 70 members (at least). The class also had its own library.

There are 19 extant issues of this magazine which are bound into three hardcover volumes (Vol. 2 having 7 issues, and Vols. 4 and 6 both having 6). The magazine was initially read aloud at society meetings and later bound, which was not unusual. According to the ‘Editorial’ in the October 1886 issue, the ‘choice of subjects [was] left entirely to the judgement and good taste of the writers’, and contributions on politics were even allowed, as long as the writer refrained from party politics (P.H. Taylor, ‘Editorial Notes’, Salem Chapel Mutual Improvement Society Monthly Magazine, ed. by P.H. Taylor, Vol. 2, No. 6, October 1886, p. 3). Authors were given the option of signing their own names or using a pen-name. Some of the readers wrote to the Editor to share their comments, which were then included in the next month’s issue.

Included in the magazine are regular features like: the ‘Review’, which gives an summary of the group’s recent activities; ‘Notices’, which advertises upcoming talks and events; the ‘Letters to the Editor’; and a correspondence column entitled, ‘Questions’, which is directed more towards the readers of the magazine rather than the Editor per se. It is only in Volume 6 that original artwork begins to be used as ornamentation or to illustrate the articles in which they appear.

There are a few records that have survived for the class dating from a bit later than the magazines: inserted into the front of Volume 6 are 16 pages selected from some of the minutes from the class’s minute books for the years 1896 to 1898, including Executive meetings and lists of members (1896-97, total of 52, and for 1897-98, total of 43).

Name of Club, Society or Group That Produced the Magazine

Salem Chapel Mutual Improvement Society

Date of Existence

1886?-1898?

Date of Magazine

Nos. 6-12, October 1886-April 1887; Nos. 19-24, October 1888-March 1889; Nos. 31-36, October 1890-March 1891

Number of Issues

19 (extant)

Manuscript/Published Magazine

Manuscript

Contents and Contributions

Art/Illustrations (original); Club notices; Correspondence column; Editorials; Essays; Fiction/Narratives; Letters to Editor; Membership lists; Poems (original); Readers’ Criticisms; Reviews (reports on group activities); Serial articles/stories; Sketches; Tables of Contents; Title pages

Repository

Bristol Archives

Reference

35123/S/P/1, 2(a), 2(b)

Overview

The society that produced this magazine had its origins in the adult school classes run by Quakers held at Friends’ Hall, located on Barnet Grove in Bethnal Green in the East End of London. Amongst the fairly complete set of records for this group is a history of the society by one of its members, its President, Arthur Hadley. From this, we learn that as members of the adult school classes, several of the men formed a discussion group that later became a Shakespearean Reading Circle, then a literary and debating society in 1906. Ladies were allowed as guests at the meetings; it would later become a mixed-gender group. Hadley describes their object or purpose as being the members’ mutual improvement.

The group initially met in the Red Room at Friends’ Hall on Friday nights. Following a dispute with the school’s superintendent, the society shifted their venue to The Traveller’s Rest, a ‘Coffee Tavern’ that was located on Bethnal Green Road. The group not only changed their meeting place but changed their name as well to the Bethnal Green Literary Society. Shortly after this, they moved their meetings to the Town Hall on Cambridge Road. Along with reading papers, listening to lectures and holding group discussions, the society had a study group, a summer reading programme, and a manuscript library comprised of the members’ original pieces (see below). In addition, in order to raise funds for the group, members wrote and performed original plays. The group founded a manuscript magazine fairly early on when they were still members of the adult school classes at Friends’ Hall.

Twice a year (generally in May and December), members would send their contributions to the magazine’s Editor, who would select from them the pieces to be read aloud at a society meeting held for the purpose. These were then collected and variously bound (see below). The number of contributions to these issues varies generally between half a dozen and a dozen pieces, and include mostly original prose fiction and poems. In addition, there are also puzzles, some humorous advertisements, letters to the Editor and a correspondence column. Contributors mostly use pen-names and only occasionally their own names or initials. As is fairly typical for the periodicals that were produced in the early twentieth century, the pieces are a mixture of typescript and manuscript within a single issue.

Unlike most periodicals produced by mutual improvement and literary societies, the magazine that this group produced lacks uniformity: it does not show the same consistency between issues or even within a single issue. The covers, when present, and the binding of each issue differ. Further, the size of paper used by the different contributors is quite dissimilar. These factors are a reflection of the oral medium, or the ‘magazine nights’, for which the contributions were produced and the decision taken to simply collect and use the submissions in the issues as they were. Further, the less polished appearance of the society’s magazine belies the importance that the group attached to their original literary pieces: in 1909, they voted to start a library to preserve these issues and other papers that were given at the meetings. The members of this literary group would go on to become prominent writers and novelists (e.g. Beatrice Kean Seymour), local politicians (e.g. Edmund Dutton), scholars in various fields (e.g. Horace Shipp), and eminent members of their respective communities.

Name of Club, Society or Group That Produced the Magazine

Friends’ Hall Literary Society; later became the Bethnal Green Literary Society (London)

Date of Existence

9 Feb. 1906-1916

Date of Magazine

No. 2, December 1907; No. 3, May 1908; No. 4, Christmas 1908; No. 5, May 1909, No. 6, Christmas 1909; No. 7, May 1910; No. 8, December 1910; No. 9, June 1911; (loose contributions for the manuscript magazine dating from December 1911 to June 1912)

Number of Issues

8 extant, along with some loose contributions not attributed to any issue

Manuscript/Published Magazine

Typescript and manuscript

Contents and Contributions

Advertisements (humorous); Circulation Lists; Correspondence columns;  Dialogue (fiction); Editorials; Essays; Fiction/Narratives; Jokes; Poems (original); Postcard; Puzzles; Readers’ Criticisms; Tables of Contents; Title pages

Repository

Tower Hamlets Local History Library and Archives

Reference

S/BGL (S/BGL/2/1; S/BGL/2/2; S/BGL/2/6)

Overview

This literary group was a bit unusual in that the members formed solely for the purpose of producing a magazine of original works. While they referred to their group as an ‘Association’ and collected subscriptions, it appears that they did not hold any formal meetings. It started as a group of 10 young men (women were allowed later) that were initially asked to join by F. J. Osborn, who would act as the magazine’s Editor.

Osborn, in his ‘Editorial’ in the first number, explains his methods of persuasion to elicit contributions: after convincing one young man to contribute an article, he would then approach another acquaintance and tell him that ‘Fizgog’ has sent in his contribution. He would then go on to say it was such a poor production that surely he (the acquaintance) could produce something better. This ‘harmless subterfuge’ appears not to have been necessary after the launch of the first issue as contributors were more forthcoming thereafter.

According to the magazine’s rules in the first number, each member of the group was to aim for contributing an article every month, but was certainly to do so at least every three months. The magazine was to be kept for four days only (this would later change to 48 hours) and then passed on to the next member on the list or he would have to pay a fine of 1d per day. Friends were allowed to read the magazine, but the listed member was responsible for its condition. Later on, contributions were accepted from non-members. In the first issues, the Editor re-wrote each of the pieces submitted, and the authors’ artwork was cut and pasted in.

Name of Club, Society or Group That Produced the Magazine

(Currently unknown) (Hertford)

Date of Existence

1904?-1911?

Date of Magazine

March 1904 – May 1911

Number of Issues

70

Manuscript/Published Magazine

Manuscript and Typescript

Contents and Contributions

Advertisements (humorous); Art/Illustrations (original); Articles (non-fiction); Circulation Lists; Editorials; Essays; Fiction/Narratives; Jokes; Letters to Editor; Magazine Rules; Notices; Prefaces; Puzzles; Readers’ Criticisms; Sketches; Tables of Contents; Title pages

Repository

Hertfordshire Archives and Local Studies (HALS) (Hertford)

Reference

DE/FJO/A11/1-70

Overview

A summary of the history of the Kent Road United Presbyterian Church Young Men’s Institute is available on our sister website, Glasgow’s Literary Bonds (see ‘Additional Notes’ below).

The one extant issue of this magazine is a miscellany comprising 162 pages with 11 contributions being mostly prose essays and only two original poems. If we include the article entitled ‘Peasant Poet: Charles Davelin’, that includes extracts of his poems, the number of poetry contributions rises to three. (For a discussion of the work of Chartist poet Davelin (or Davlin), see Michael Sanders, The Poetry of Chartism: Aesthetics, Politics, History (Cambridge: Cambridge University Press, 2009).) Outwith the illustration on the title page (shown in the accompanying photograph, which is a copy of the cover of The Sword and the Trowel, a Christian magazine founded in 1865), there is no artwork in this issue.

There are 35 listed readers in the circulation list at the front of the magazine. However, it was not unusual for these magazines to be passed among family and friends outwith the ‘official’ list of readers.

The Editors’ ‘Notes to Readers’ at the front of the magazine acts as a list of rules for the submission of contributions. Also, it gives the length of time allowed for reading the magazine (two days), and adjures readers to promptly deliver the issue to the next person on the waiting list, a rule that was, apparently, routinely transgressed by several members previously. In addition, the Editors request that contributors and ‘critics’ (i.e. readers who wrote in their comments on the articles and/or the magazine after reading) use a pen-name. Critics were to use the blank pages provided at the back of the magazine for their ‘criticisms’, and these were to be not too lengthy. There are 20 pages of readers’ criticisms at the back of this issue.

Name of Club, Society or Group That Produced the Magazine

Kent Road United Presbyterian Church Young Men’s Institute (Glasgow)

Date of Existence

1 November 1865-?

Date of Magazine

No. 2, Vol. 3 (1 April 1872)

Number of Issues

1 (extant)

Manuscript/Published Magazine

Manuscript

Contents and Contributions

Annotation; Circulation List; Correspondence column; Editorial; Essays; Magazine Rules; Poems (original); Preface; Readers’ Criticisms; Serial article/story; Sketch; Table of Contents;  Title page

Repository

Mitchell Library Special Collections

Reference

725431

Additional Notes

See also entry for Kent Road U. P. [United Presbyterian] Church Young Men’s Institute on our sister website, Glasgow’s Literary Bonds.

Overview

A summary of the history of the Pollokshields Literary and Art Circle is available on our sister website, Glasgow’s Literary Bonds (see ‘Additional Notes’ below).

Only one issue of this society magazine, 106 pages long, has been located, though as earlier January and February issues are mentioned in members’ comments this is probably the third issue of a newly launched effort. The magazine includes a set of prescriptive rules. According to these rules, members had to contribute monthly or pay a 2d fine, and they could keep the magazine for only two days and would be fined 1d for every extra day. Members who failed to contribute for 3 months running would be assumed to have resigned from the society.

Of particular interest is the competitive nature of this magazine: each member had 5 votes and could give up to two of these to their favourite articles. A blank page was included beside each contribution where readers could register their votes, and the magazine also contained a ‘Suggestions’ page at the end, used for lively critical discussion. Vote tallies for the previous issue were announced in the issue following.

Writers could not contribute either articles or criticism anonymously but pseudonyms were permitted. Whether these rules were followed is doubtful, since the editor expresses disappointment that only 15 out of 30 contributors had submitted a piece for the first issue, and according to the dates recorded in the circulation list, almost no-one managed to pass on the magazine within their allotted two days. Thirteen out of the thirty listed members were women, so this is one of the magazines with the strongest representation from female authors.

As befits a magazine ‘of Literature and Art’, contributions included drawings, paintings and musical compositions as well as fiction, poetry and factual and descriptive articles. The criticisms under ‘Suggestions’ are the most engaging aspect of this issue. A number of these express disappointment with the quality of the work submitted and object to its language or form, as in a complaint that a sonnet by ‘Dagon’ contained twenty rather than fourteen lines. A leading contributor, ‘Hecla’, also felt that the ‘prose contributions savour too much of “Tit Bits” and “Child’s Advisor”’ – his/her own contribution consisted of a serialized historical religious novel, ‘Broken Bonds.’

This magazine contains poetry, fiction, artwork, musical compositions, informative articles on ‘Newspapers’ and ‘Balloons and Ballooning’, as well as art criticism.

Name of Club, Society or Group That Produced the Magazine

Pollokshields Literary and Art Circle (Glasgow)

Date of Existence

1890?-?

Date of Magazine

May 1890

Number of Issues

1

Manuscript/Published Magazine

Manuscript

Contents and Contributions

Art/Illustrations (original); Articles (non-fiction); Circulation List; Fiction/Narratives; Magazine Rules; Music; Poems (original); Readers’ Criticisms; Readers’ votes; Serial article/story

Repository

Mitchell Library Special Collections

Reference

891359

Additional Notes

See also entry for Pollokshields Literary and Art Circle on our sister website, Glasgow’s Literary Bonds.

Overview

A summary of the history of the Free Anderston Church Young Men’s Mutual Improvement Society is available on our sister website, Glasgow’s Literary Bonds (see ‘Additional Notes’ below).

This society appears to have had a dynamic group of members that contributed to and supported the production of this magazine for over twenty years. The magazine was issued (mostly) monthly during the yearly session, which ran from October until April; like most societies, there were no meetings held (nor magazines issued) during the summer.

The length of each issue varies a good deal, and is dependent upon the number of pieces and the length of each contribution, which did not appear to have a limit as did some magazines. Each bound volume contains roughly a couple hundred pages (e.g. Vols. II-II, bound into one hardcover book, has 410 pages, while Vol. XIII, one of the slimmest, has approximately 200).

Each contribution is in the author’s own handwriting, but the authors are on the whole not identifiable: pieces are either anonymous, signed with a pen-name, or more rarely with an initial or initials. However, when accompanied by artwork and/or other materials, each contributor’s individuality and creativity shines through, and the care that was taken in the magazine’s production is quite evident. These issues were valued and intended to be preserved.

There is a wide variety of subjects covered in the articles, essays, and poems. There is also a range of means used to illustrate these contributions: each issue (particularly the later ones) includes much good quality, detailed artwork in a range of media (pen-and-ink and watercolour being the most popular, although oil paintings are not uncommon). There are also a number of photographs, swatches of fabric, and cuttings from various printed media, which includes a map that has been folded and bound into one of the volumes. Most issues have an elaborate illustrated cover, as shown in the example of the photograph included here.

It was only in the 1890s in the later issues of the resurrected monthly entitled The Literary Magazine that Readers’ Criticisms’ — the comments that readers wrote into the blank pages of the magazine left for this purpose — were introduced. This section is located at the back of each issue, and readers mostly used pen-names. In a few cases, individual members can be identified by their initials.

The circulation lists for The Literary Bond only list men that are presumably members. The lists from the later 1890s issues show that by this time the society allowed women to join, and, from the ‘Readers’ Criticisms’, we know that they contributed many of the pieces to the magazine.

Name of Club, Society or Group That Produced the Magazine

Free Anderston Church Young Men’s Mutual Improvement Society (later became the Free Anderston Church Literary Society) (Glasgow)

Date of Existence

1849-1897?

Dates of Magazine

The Literary Bond: the Mitchell Library has Vol. 2 (Sept. 1862) – Vol. 13 (Dec. 1875), Vol. 16, No. 1 (Oct. 1876) – Vol. 18 (October 1879), and Vol. 21 (October 1881) – Vol. 22, No. 6 (March 1883) (Vols. 14, 15, 19 and 20 no longer extant?);

The Literary Magazine: the Mitchell Library has Vol. 1, No. 1 (Jan. 1896) – Vol. 2, No. 2 (Feb. 1897)

Number of Issues

The Literary Bond: 15 bound volumes containing a total of 121 issues;

The Literary Magazine: 2 bound volumes. (The total number of issues for this later magazine is currently unknown as Volume 2 was unavailable for viewing at time of research.)

Manuscript/Published Magazine

Manuscript

Contents and Contributions

Annotations; Art/Illustrations (original); Articles (non-fiction); Circulation Lists; Cuttings (printed materials); Editorials; Essays; Fiction/Narrative; Letters; Letters to Editor; Magazine Rules; Music; Photographs; Poems (original); Prefaces; Readers’ Criticisms; Reviews; Serial articles/stories; Sketches; Tables of Contents

Repository

Mitchell Library Special Collections

Reference

Mitchell (AL), 891310 (The Literary Bond)

Mitchell (AL), 891311 (The Literary Magazine)

Additional Notes

See also entry for Free Anderston Church Young Men’s Mutual Improvement Society on our sister website, Glasgow’s Literary Bonds.

Overview

St Stephen’s Church is located at 105 St Stephen Street in Edinburgh. (For further details about this church, see the article, ‘Saint Stephen’s Stockbridge‘, on the Edinburgh-Stockbridge.com website.) The information that we currently have on this group comes from the manuscript magazine that was produced by a society of young men who were associated with the church.

The contributions to this magazine were originally read aloud at society meetings dedicated to the purpose called ‘Magazine Nights’. These were meetings that were devoted to the reading of original essays (or occasionally poems) written by group members that were submitted to the Magazine Editor beforehand. The Editor would be responsible for collecting, occasionally selecting, and reading the pieces aloud to the group (more rarely this was done by the contributor him/herself) on the appointed night. This would be followed by ‘criticism’ — or discussion on the piece’s positive and negative points — by the group members.

After the meetings, these contributions were sometimes bound and saved in the society’s library (if they had one, and the St Stephen’s group did) or would be kept by one of the office bearers. In these cases, it was intended that the magazine was to be preserved and that group members would have access to it at a later date. It is of note that literary and mutual improvement groups used the term ‘magazine’ to refer to the oral as well as the material medium.

There are four extant issues of this society’s magazine, with the last issue (1889-90) having two parts. Each issue has a variety of articles, essays, original poems and artwork. The contributions are signed by their respective authors/artists using either pen-names, their own names, or sometimes with presumably identifiable initials.

Following each piece in the 1883-84 issue (at least; in the later issues, it is unclear if the blank pages, where present, were intended specifically for criticisms, as very few remarks were added), there are blank pages left for readers to write their ‘criticisms’, a practice that a number of societies encouraged. While some pieces have several readers’ responses, the pages following others were left blank.

The comments run from serious remarks of literary criticism, offering praise and/or ways in which authors might improve their pieces, but it was not uncommon for the reader/writer to speak in jest. For example, after reading a (parodic?) love poem entitled, ‘My Grace’, by ‘A Member’, J.M. wrote, ‘a purer specimen of doggerel was never found printed on the outside of a tea-bag’. Similarly, J.R. wrote:

‘We would consider it very bad Grace did we not express our indebtedness to the author of “My Grace” for his graceful effusion. We laughed so heartily over it, that a severe attack of toothache from which we were suffering was entirely removed. We therefore gracefully record our thanks […]’ (St Stephen’s Parish Church, St. Stephen’s Literary Society Magazine, 1883-84, pp. 27-9).

The light, breezy tone of some of these comments suggest that the members knew each other’s handwriting, style and/or pen-names, and that whilst the magazine was a forum for the ‘improvement’ of members’ writing skills, it could also be used for entertainment and amusement.

Name of Club, Society or Group That Produced the Magazine

St. Stephen’s/Stockbridge Parish Church (Edinburgh)

Date of Existence

1883?-1890?

Dates of Magazine

1883/1884; 1887/1888; 1888/1893; 1889/1890

Number of Issues

4

Manuscript/Published Magazine

Manuscript

Contents and Contributions