Overview

This magazine was produced by a mutual improvement class based at Eastville Free Methodist Church, which was located on Fishponds Road in Eastville (northeast of Bristol). (For a brief history of this church see ‘Eastville Methodist Church (now Pentecostal City Mission), Eastville, Fishponds‘ on the Places of Worship Database website.) The lists of members at the front of the extant 1893 and 1894 issues have 26 and 24 names respectively. It was a mixed-gender class with perhaps a fairly equal number of men and women (there are several names on these lists where only the surname is given). No addresses are given after these names, but these can be found by consulting the entries for the parents in the church register, also available in the archives. The group members were pro-temperance, and two pieces by different authors in their magazine mention attending a Band of Hope meeting. (For more information about the Band of Hope, see the article, ‘Band of Hope‘ on the Spartacus Educational website.)

There are only two extant issues of the manuscript magazine that this class produced. These are roughly A5 in size, with a brown paper cover and are hand-stitched. It is unclear if there was a set production date for each issue (e.g. monthly, bi-monthly, etc.), but it might have been tied to the semester schedule. The format of the contributions vary: some are written solely on one side of the paper, whilst others are on both front and back, which is a bit usual for these magazines. All the contributions — the majority of which are essays on a variety of topics — are in the authors’ own handwriting. With few exceptions, all of the contributors and reviewers use their own initials. There is no original poetry and no illustrations or artwork in either issue. Readers were allowed one week to view the magazine.

The issues are compact not only in size but in the number of contributions: there are 68 pages (unpaginated) in total in the 1893 issue with 7 contributions followed by four readers’ responses over 10 pages in the ‘Notes and Comments’ section, and 30 pages with 5 contributions in the 1894 issue. Interestingly, whilst there are also a number of blank pages left for readers to provide their responses in the ‘Notes and Comments’ section in the later issue, none of the readers chose to use this space.

Name of Club, Society or Group That Produced the Magazine

Eastville Free Methodist Mutual Improvement Class

Date of Existence

1894?-1895?

Date of Magazine

No. 1, October 1893 and No. 5, October 1894

Number of Issues

2 (extant)

Manuscript/Published Magazine

Manuscript

Contents and Contributions

Annotations; Articles (non-fiction); Circulation Lists; Editorials; Essays; Extracts of published works; Letters to Editor; Magazine Rules; Poems (republished material); Readers’ Criticisms; Serial articles/stories; Tables of Contents;  Title pages

Repository

Bristol Archives & Record Office

Reference

40836/EP/95-96

Overview

There are nine extant issues of the manuscript magazine that was produced by this mutual improvement society. The title was taken from the poem, ‘Excelsior’, written in 1841 by the American poet, Henry Wadsworth Longfellow, and the poem’s message of struggling towards a righteous, distant goal was used as the group’s own precept. We do not know very much about the group itself as there are no other (known) records. Most likely, the society was associated with a local church in Liverpool as many of the contributions discuss religion and/or the Bible (e.g. a serial essay entitled, ‘Praising God, No. 2′), and it was firmly pro-temperance.

We do know that it was a fairly small society: there are 17 members listed in an (undated) magazine circulation list. It was a mixed-gender group, with 13 men and four unmarried women. The members lived in and around the Toxteth area of the city. (For more information about this area, see ‘History of Toxteth‘ on the Historic Liverpool website.) One of the women, however, lived in London.

Each issue of The Excelsior is approximately 100 pages with roughly 20 contributions apiece, and contain a mixture of prose and poetry, articles and essays, a couple of short musical scores, with a small number of original illustrations (mostly pen-and-ink, to which should be added the detailed artwork on the covers on Nos. 7, 8 and 10).

There are a couple of unique elements to this magazine. First, the contributors seemed to particularly like writing serials, both non-fiction and fictional pieces, with pieces commonly running through most of the issues. Second, the members appear to have taken the ‘improving’ element to heart, as beginning in the sixth issue, a ‘List of Errors in Spelling’ is added to the back, which ran up to five pages in issue No. 10. Finally, whilst not including a separate section for readers’ ‘criticisms’ per se, the Editor none-the-less allowed readers to write in to him with their remarks and he would include them in the next issue, a practice that readers took to with particular enthusiasm, or rather with vehemence; many of these are long letters outlining in detail the particular merits — and by no means neglecting the demerits — of the contributions.

Name of Club, Society or Group That Produced the Magazine

(currently unknown)

Date of Existence

1860?-1862?

Date of Magazine

No. 1, 1 October 1860; No. 2, 1 November 1860;  No. 3, [no date given], December 1860; [No. 4], January and February 1861; No. 5, March & April 1861; No. 6, 1 December 1861; No. 7, January 1862; No. 8, February 1862; [No. 9 no longer extant?]; No. 10, April 1862

Number of Issues

9

Manuscript/Published Magazine

Manuscript

Contents and Contributions

Annotations; Art/Illustrations (original); Article s(non-fiction); Circulation List; Correspondence column; Editorials; Essays; Extracts (previously published works); Fiction/Narratives; Hymn; Letters to Editor; Lists of spelling errors; Music; Newspaper cutting; Poems (original); Poems (republished material); Poems (w/ original illustrations); Prefaces; Puzzle; Readers’ Criticisms; Serial articles/stories; Tables of Contents; Title pages

Repository

Liverpool Record Office, Central Library

Reference

H050 EXC

Overview

A summary of the history of the Glasgow Sutherlandshire Association is available on our sister website, Glasgow’s Literary Bonds (see ‘Additional Notes’ below).

According to the preface in this printed magazine, the contributions to the issue were originally read at an association meeting held on 12 January 1899 at what would have been commonly called a ‘Magazine Evening’.

‘Magazine Evenings’ or ‘Magazine Nights’ were meetings that were devoted to the reading of original essays (or occasionally poems) written by group members that were submitted to the Magazine Editor beforehand. The Editor would be responsible for collecting, occasionally selecting, and reading the pieces aloud to the group (more rarely this was done by the contributor him/herself) on the appointed night. This would be followed by ‘criticism’ — or discussion on the piece’s positive and negative points — by the group members.

After the meetings, these contributions were sometimes bound and saved in the society’s library (if they had one) or would be kept by one of the office bearers. In these cases, it was intended that the magazine was to be preserved and that group members would have access to it at a later date. It is of note that literary and mutual improvement groups used the term ‘magazine’ to refer to the oral as well as the material medium.

This issue is a small volume of 39 pages with five non-fiction essays by authors who, with one possible exception (Rob Rogart; Rogart is a village as well as a parish in Sutherland), use Gaelic names or place names as pen-names. To give two examples, ‘Suilvein’, is the author of ‘A Communion Sunday in Assynt’. Suilvein is a prominent mountain in the west of Sutherland. This article gives a picturesque, reverential description of the landscape and the people of this parish who attend a Sunday service in early June presumably during recent times.

The second example is the pen-name,’Cluaidh’, which is Gaelic for Clyde, referencing the River Clyde in Glasgow. ‘Cluaidh’ is the pen-name of the author of ‘What’s in a Name?’, which is an essay on the assigning and changing of personal names. The piece ends with a commentary on the then recent debate on Rob Donn’s surname and its relative unimportance when compared to the appreciation of his art as a poet.

Interestingly, an excerpt from Donn’s poetry, along with from Dr Charles Mackay, is also included in the first article, ‘Extracts from “Glimpses of Sutherland Long Ago.” By “Craggandhu.”‘. (Rob Donn was a Gaelic poet from the area. For more information about Donn, see the article, ‘Rob Donn Mackay (1714 – 1778)‘, on the Scottish Poetry Library website. For more information about Dr Charles Mackay, see: Calder, Angus. ‘Mackay, Charles (1812–1889), poet and writer’, Oxford Dictionary of National Biography (Oxford: Oxford University Press, 2004) <https://doi.org/10.1093/ref:odnb/17555> [24 April 2018]).

Name of Club, Society or Group That Produced the Magazine

Glasgow Sutherlandshire Association

Date of Existence

1857-?

Date of Magazine

12 January 1899

Number of Issues

1

Manuscript/Published Magazine

Manuscript, later in print (Glasgow: Archibald Sinclair, “Celtic Press”, 1899)

Contents and Contributions

Poems (republished material); Preface; Essays; Table of Contents

Repository

University of Glasgow Library

Reference

Glasgow Sutherlandshire Association, ‘Papers contributed to [the] Manuscript magazine. 12 January 1899’ (Glasgow: Archibald Sinclair, “Celtic Press”, 1899) (Library Research Annexe, Store 25964)

Additional Notes

See also entry for Glasgow Sutherlandshire Association on our sister website, Glasgow’s Literary Bonds.

Overview

According to the opening article in the first issue of this magazine, the Abbey Foregate Congregational Church Literary Society was founded in 1893. Meetings were held weekly, and it was quite a large society of predominantly young men and women: it was reported that between two and three hundred people often attended, and the number grew to three or four hundred by 1897.

It was three years before they decided to start their own magazine. The first issue was put into print in March 1896 and cost 2d. The second issue appeared over a year later in April 1897, and the cost went up to 3d. It seems that production costs were covered by both the subscriptions and the advertisements for local businesses that are included at the front and back of both issues. Each issue is 18 pages in length.

This miscellany contains a mixture of various non-fiction articles, a few fictional stories, a number of reports on past society meetings and several original photographs that accompany the articles.

Name of Club, Society or Group That Produced the Magazine

Abbey Foregate Congregational Church Literary Society (Shrewsbury)

Date of Existence

1896?-1897?

Date of Magazine

March 1896 and April 1897

Number of Issues

2

Manuscript/Published Magazine

Print (Shrewsbury: W. G. Napier, Printer, 1896); (Shrewsbury: W. G. Napier, Printer, 1897)

Contents and Contributions

Advertisements; Articles (non-fiction); Fiction/Narratives; Photographs; Poems (original); Poem (republished material); Reports; Table of Contents; Title pages

Repository

Shropshire Archives (Shrewsbury)

Reference

NO4212/7/1/1-2

Overview

Like The College Stethescope, this magazine was founded by and for the students of the University of Glasgow (see ‘Additional Notes’ below).

In the ‘Preface’, the purpose of the magazine was set out: ‘Our aim has been to relieve the severities of academical study, by furnishing a volume, in which instruction should be combined with amusement’ (‘Preface’, The Athenaeum, An Original Literary Miscellany, ed. by Students in the University of Glasgow (Glasgow: Printed by Hutchinson & Brookman, For Robertson & Atkinson; Constable & Co., Edinburgh; and Hurst, Chance & Co., London, MDCCCXXX [1830]), p. v).

There are 242 pages with 45 contributions in this magazine, which consists of essays and poems. There are a few translations of poems into English, but also a couple translated from English into Latin and Greek. There is roughly an equal mix of poetry and prose.

Authors sometimes chose to identify themselves, but in a number of cases either their initials or a pen-name was used. Original pieces appear alongside works by (more) established authors and poets. For example, several of Thomas Atkinson’s poems appear in this volume. (For more information about Thomas Atkinson (1801?–1833), see the article, ‘Atkinson, Thomas (1801?-1833)‘, by Thomas Finlayson Henderson in Volume 2 of the Dictionary of National Biography, 1885-1900, which is available on the Wikisource website. See also the entry for ‘Atkinson, Thomas, ? 1801-1833, poet and writer, bookseller‘ on the University of Strathclyde Archives website.)

According to the ‘Preface’, contributions were accepted from various quarters and not just from the students nor just from men: ‘extra-collegiate friends’ were thanked, as was one Mrs. Grant of Laggan for her poem.

It is currently unknown if any further issues were produced.

Name of Club, Society or Group That Produced the Magazine

(Students of the University of Glasgow)

Date of Existence

1830-?

Date of Magazine

1830

Number of Issues

1

Manuscript/Published Magazine

Print (Glasgow: Printed by Hutchinson & Brookman, For Robertson & Atkinson; Constable & Co., Edinburgh; and Hurst, Chance & Co., London, MDCCCXXX [1830])

Contents and Contributions

Articles (non-fiction); Dedication page; Essays; Fiction/Narrative; Poems (original); Poems (republished material); Poems (translation); Preface; Reviews; Table of Contents

Repository

Mitchell Library Special Collections (MLSC)

University of Glasgow Special Collections (UGSC)

Reference

Mitchell (GC) 311821 (MLSC)

Sp Coll Bh12-g.39; Sp Coll Mu21-d.22 (two copies available) (UGSC)

Additional Notes

See also The College Stethescope and Literary Index.

Overview

A summary of the history of the Calton Wesleyan-Methodist Congregational Young Men’s Society is available on our sister website, Glasgow’s Literary Bonds (see ‘Additional Notes’ below).

There are fifteen issues of this monthly magazine bound into one hard-cover volume. This includes the Supplement to the Magazine for December 1839 (Vol. I, No. XI), and contains an Index (pp. 282-4) to all the previous issues, including the supplement. The volume is paginated from pages 1 to 329, but is unnumbered in the March through May 1840 issues. Each issue is between 25 and 30 pages.

The March through December 1839 issues are all edited by Gilbert Currie. Interestingly, all these pieces appear to be in his own handwriting. The remaining issues — perhaps under a different editor — also appear to be written by one or two different hands. This was an uncommon practice in mutual improvement and literary groups. It was usually done to try to maintain the anonymity of the authors as their respective handwriting was presumably recognisable by other group members. This practice also helped to give a uniformity to the magazine, which, for some societies was of some import. In this case, it appears to have been to preserve anonymity and uniformity, as the authors of some of the original articles and poems used pen-names, and the handwriting gives the issues a consistency in appearance.

Like other mutual improvement (including church) societies’ magazines, this is also a miscellany. However, while other society periodicals generally include contributions written on a wide range of topics, many of the pieces in this magazine are on religious issues and doctrine, and there are a number of reports on missionary activities abroad. Similarly, most of the essays and poems are moralistic in flavour. It appears that this magazine acts more as an extension and means of broadcasting the church’s work rather than being an object for facilitating ‘improvement’ and providing amusement, which was more the norm.

Name of Club, Society or Group That Produced the Magazine

Calton Wesleyan-Methodist Congregational Young Men’s Society (Glasgow)

Date of Existence

1839?-1840?

Date of Magazine

Mar. 1839-Jan. 1840, with Supplement to Dec. 1839; (no February 1840 issue; not extant?), Mar. 1840-May 1840

Number of Issues

15 (includes supplement)

Manuscript/Published Magazine

Manuscript

Contents and Contributions

Address; Articles (non-fiction); Correspondence column; Didactic works (reproduced); Essays; Hymns; Letters; Letters to Editor; Poems (original); Poems (republished material); Preface; Reports; Table of Contents

Repository

Mitchell Library Special Collections

Reference

NFF124/6/81, 5585510-585510a

Additional Notes

See also entry for Calton Wesleyan-Methodist Congregational Young Men’s Society on our sister website, Glasgow’s Literary Bonds.

Overview

The only information we currently have on the Crescent Literary and Debating Society comes from the magazine it produced. Members were most likely part of the congregation of the Crescent Congregational Church, which was located on Everton Brow in Liverpool. (Along with this society’s magazine, the records for this church are also housed at Lancashire Archives. Please refer to their catalogue for further details.)

From the magazine, we know that the society met in the Assembly Rooms, which were located at the back of the chapel. How frequently they met is currently unknown. This may have been a relatively small group: instead of a list of readers and/or members at the front, there is a list of 12 contributors, two of which were unmarried women.

The magazine has 14 contributions including the ‘Editorial’ and is 64 pages in total. Like other society magazines, it is a miscellany containing a mixture of non-fiction essays and fictional stories. In terms of subject matter, it may be that the Editress assigned each contributor a subject, as is suggested in the ‘Editorial’ (p. 1). There are no original poems in this issue, but, interestingly, at the close of several articles are quotes from a variety of published authors including Ellen Hooper, Henry Ward Beecher, François de La Rochefoucauld, Samuel Johnson and Cicero, to name a few.

The magazine was originally produced in manuscript and was read aloud at a society meeting at what was generally called a ‘Magazine Night’. ‘Magazine Evenings’ or ‘Magazine Nights’ were meetings that were devoted to the reading of original essays (or occasionally poems) written by group members that were submitted to the Magazine Editor beforehand. The Editor would be responsible for collecting, occasionally selecting, and reading the pieces aloud to the group (more rarely this was done by the contributor him/herself) on the appointed night. This would be followed by ‘criticism’ — or discussion on the piece’s positive and negative points — by the group members.

After the meetings, these contributions were sometimes bound and saved in the society’s library (if they had one) or would be kept by one of the office bearers. In these cases, it was intended that the magazine was to be preserved and that group members would have access to it at a later date. It is of note that literary and mutual improvement groups used the term ‘magazine’ to refer to the oral as well as the material medium.

Name of Club, Society or Group That Produced the Magazine

Crescent Chapel Literary and Debating Society (Walton, Liverpool)

Date of Existence

1906?-?

Date of Magazine

1906

Number of Issues

1 (extant)

Manuscript/Published Magazine

Typescript (previously in manuscript)

Contents and Contributions

Annotations; Articles (non-fiction); Caricatures; Essays; Fiction/Narratives; Letter to Editor; Poem (republished material); Republished materials; Table of Contents; Title page

Repository

Lancashire Archives (Preston)

Reference

CULI 6/54

Overview

Gems of Poesy is an MS magazine compiled by William Gardiner, who also compiled The Wreath of Wild Flowers. The two magazines had identical publication schedules and readers’ lists, so probably served as companion volumes. Each issue is numbered as the first volume of a new number (perhaps leaving open the possibility for further issues, should inspiration or time allow.)

Unlike The Wreath of Wild Flowers, this collection is of poems gleaned from other published sources: most issues feature work by Mrs Hemans, a favourite of Gardiner’s, as well as other well-known poets such as Lord Byron, Eliza Cook and Percy Shelley. They have all been copied out in Gardiner’s hand. Potentially, Gems of Poesy was intended as a companion volume to The Wreath of Wild Flowers, as they both circulated at similar times – a source of inspiration and examples of poetry for people who may not be able to access these poems elsewhere.

The value of copying out particularly interesting poems from printed sources for an audience was probably a response to the comparatively expensive price of periodicals prior to the repeal of stamp duty.

Name of Club, Society or Group That Produced the Magazine

(Currently unknown) (Dundee)

Date of Existence

1834?-1836?

Date of Magazine

1(1)-1(3), Mar. 1834-Mar. 1836 (produced yearly)

Number of Issues

3

Manuscript/Published Magazine

Manuscript

Contents and Contributions

Poems (republished material); Magazine Rules; Title page

Repository

Dundee District Central Library, The Wellgate

Reference

D22012, Lamb Collection

Additional Notes

These magazines were collected in the 1860s by A.C. Lamb, a Dundee temperance hotelier. Many of the societies represented met on premises owned by either himself or, in earlier decades, in his father Thomas’ coffee house. Lamb was often involved in society life himself, and his collection of over 450 boxes covers a wide range of material relating to literature, poetry, culture and politics in Victorian Dundee. For more information on this material, please contact local.history@leisureandculturedundee.com.

Overview

A summary of the history of the Kelvinside Parish Church Literary Society is available on our sister website, Glasgow’s Literary Bonds (see ‘Additional Notes’ below).

There is only a single extant issue of this society’s (yearly?) magazine, which is bound with a softcover and imprinted with the title and year on the front. With the exception of the title page, this magazine is entirely in typescript. There are 80 pages with a total of 25 short contributions, being mostly prose essays, a couple of sketches, and only three original poems. If the two articles on Robert Burns that include extracts of his poems is added, the number of pieces with poetry rises to five.

Unlike other periodicals of this type, this society devoted a larger percentage of its magazine to its own activities: over a quarter of the contributions were on the literary society’s meetings and socials. Most of the pieces are anonymous, with authors signing with pen-names, and only one essay’s author using initials.

Included in this issue is a page of jokes and a piece called, ‘Do you Know?’, which lists thirteen trivia questions about the society, some of which are jokes. The five pen-and-ink illustrations were all done by the same artist (E.N. Payne).

At the end of the magazine is the society’s eighth annual report (Session 1903-04) and its financial statement for the same session.

Name of Club, Society or Group That Produced the Magazine

Kelvinside Parish Church Literary Society (Glasgow)

Date of Existence

1895-1926?

Date of Magazine

1903-04

Number of Issues

1

Manuscript/Published Magazine

Type-script, with illustrations

Contents and Contributions

Annual Report; Art/Illustrations (original); Essays; Financial Statement; Jokes; Poems (original); Poems (republished material); Sketches; Title page

Repository

Glasgow City Archives

Reference

CH2/1149/9/2/2

Additional Notes

See also entry for Kelvinside Parish Church Literary Society on our sister website, Glasgow’s Literary Bonds.

Overview

A summary of the history of the New Literary Club is available on our sister website, Glasgow’s Literary Bonds (see ‘Additional Notes’ below).

The first issue of this magazine was produced in January 1893, four months after the club was founded. According to its Editor, the magazine was ‘instituted in order to allow those who are not public speakers or orators to contribute in writing original pieces of Literature’ (Andrew Ross, ‘Editorial’, New Literary Club Magazine, 18 January 1893, p. 3). At that point, the club had not yet worked out what pieces to include within it, but members generally agreed that these should be on subjects ‘which are common and instructive to all’ (Ibid).

There are 9 issues of this (mostly) monthly magazine bound into four volumes. With the exception of one poem in typescript in the December 1893 issue, all of the pieces are in manuscript.

Most of the issues run about 40 pages each with between 9 and 17 contributions (including the frontispieces). The largest issues were those produced in Summer 1894 and Spring 1895, which average about 130 pages and just over 20 contributions apiece (the largest, the Summer 1894 issue, having 27 contributions).

These issues contain mostly prose works with about ten percent of the contributions overall being poems, all of which are in the authors’ own handwriting, with most choosing to sign their own names. There are also a small number of puzzles and games throughout.

While this club was restricted to men, from the editorials, we know that women contributed a few pieces  (a small percentage overall) of artwork to its magazine. The artwork is in a variety of media, but a sizeable percentage of the illustrations are in pencil, which is a bit unusual.

There is one (extant) issue of the magazine that the club produced under its new name, the Literary Twenty-One Club, which clearly carries on the format and style of the previous issues that were produced by the group as the New Literary Club, with several of its old members staying on (see ‘Additional Notes’ below).

Name of Club, Society or Group That Produced the Magazine

The New Literary Club was formed in 1892. In 1896, it became the Literary Twenty-one Club. Even later, it amalgamated with the Holyrood Literary Society and took its name on 24 September 1897. On 3 October 1899, it changed its name to The Holyrood Literary Club, thento  The New Holyrood Literary Club. Later it was simply known as The Holyrood Club. (Glasgow)

Date of Existence

9 September 1892 – 21 April 1896; 21 April 1896 – 24 September 1897 (as Literary Twenty-One Club); on 24 September 1897 it amalgamated with Holyrood Literary Society and took its name

Date of Magazine

January 1893; [February?] 1893; [March?] 1893; October 1893; November 1893; December 1893; January 1894; Summer 1894; Spring 1895

Number of Issues

9 issues in 3 bound volumes

Manuscript/Published Magazine

Manuscript

Contents and Contributions

Annotations; Art/Illustrations (original); Articles (non-fiction); Circulation List; Club notices; Editorials; Epilogue; Essays; Frontispieces; Jokes; Letters to Editor; Maps; Music; Photographs; Poems (original); Poems (republished material); Poem (translation); Prize competition; Puzzles; Readers’ criticisms (unused section); Serial articles/stories; Sketches; Song (original); Table of Contents

Repository

Mitchell Library Special Collections

Reference

(Note: The records for this club are housed together with the records of The Holyrood Club (891047))

Additional Notes

See also entry for New Literary Club on our sister website, Glasgow’s Literary Bonds.

See also The Literary Twenty-One Club Magazine and The Holyrood Magazine.